Showing posts with label bridge 9. Show all posts
Showing posts with label bridge 9. Show all posts

Friday, February 25, 2011

Defeater - Empty Days & Sleepless Nights - cd/lp


Though there are still new bands around that make me all excited about hardcore, none of them manages to release a record that make me want to listen to only that one record for a week in a row. However great a record may be there are still enough other records I want to hear in a week.

Defeater is probably the exception to that rule. I have to admit that the first time I heard 'Empty Days', I was a bit dissapointed. After the 'Lost Ground' ep I expected the band to come up with ten versions of 'The Red, White and Blues' I guess and they didn't.

'Dear Father' is a song that could have been on the 'Lost Ground' ep but tracks like 'Empty Glass' and 'White Oak Doors' show a band that has progressed from their 'Travels' debut and dare to go further. Some parts of those songs remind me a bit of Touche Amore's 'To The Beat Of A Dead Horse' while other songs give me the same feeling as I had when I first heard American Nightmare's debut 7".

With 'Empty Days' Defeater probably released one of the best records of 2011 and one of those few classics that come around each year. If that's not enough there's also 'Sleepless Nights' four great acoustic songs which are as good as any material by Chuck Ragan or other punkrock singersongwriter hot shots. 'I Don't Mind' is a song that finds a place in your mind and doesn't leave for days.

Defeater might not appeal to everyone who's into classic hardcore, but if you're open to a band that has the courage to step outside the borders I doubt you will find anything better then these Boston boys.

Wednesday, February 16, 2011

Mother Of Mercy - IV Symptoms Of Existence/ More nineties hardcore than most nineties hardcore bands


Some records are hyped almost years before their release. Others quietly find their way in the world. Most hypes eventually lead to dissapointments whereas between those low key record releases gems are to be found.

There's a lot of talk about the new Defeater record on the other side I have yet to read the first raving review of a record that's already out: Mother Of Mercy's 'Symptoms Of Existence'. After a surprisingly good show in Tilburg at the end of last year I was pretty curious about this record and the band doesn't let me down.

If Mother Of Mercy was around in the nineties they would have deserved a spot somewhere between early Earth Crisis and Intergity. The band plays hardcore with metal influences but stays away from the often duplicated Hatebreed sound.

In fact Mother Of Mercy sounds more like a nineties hardcore band than let's say the latest Earth Crisis. The artwork by Paul Romano sets the place for a record that's not optimistic about human kind, but shows that people into bands like Undertow, Congress and Integrity don't have to rely only on the past for records of their liking.

Tuesday, November 03, 2009

Paint It Black 2009 Interview

I think aside from Anti-Flag Paint It Black is the band I have interviewed the most. Being really into their 'Amnesia' ep, I thought the time was right to speak to the band once again. So here it goes:

Releasing a 7” was new for this band. ‘Amnesia’ is out for a while do you see differences between the release of that one and previous full lengths. Or is releasing a 7”the same as releasing a full length.
Releasing a 7” was something different for us. We had been focusing on albums for so long we forgot what it was like to be able to write a song and have it recorded and released in a matter of months. So, the main differences are the rate at which we can release music, and the pacing of the records themselves.

Albums usually have a lot emotional nuance, they wax and wane in intensity and tone, but with 7” EP’s we have a choice of being relentless or being more subtle. I feel like “Amnesia,” the first 7” has lot of variation between pure hostility and melody, and builds up to a real emotional peak, but the “Surrender,” EP just pounds relentlessly from beginning to end.

Up until now Dan Yemin has mostly worked with Jade Tree records. So is releasing a 7”through Bridge Nine and Fat a whole new experience for you? Why didn’t you decide to release two 7” on Jade Tree instead. And why did you chose for Bridge 9 and Fat Wreck in particular?
We just focusing on 7” gave us an opportunity to see what it was like to work with other friends in the punk and hardcore community. Dan’s been putting records out with Jade Tree for 14 years, with our decision to express ourselves through a different format (the 7” EP), trying different working relationships also made sense. It’s been really interesting and a lot of fun working with Bridge Nine and Fat Wreck.



All the songs of the 7”we’re recorded at the same time, is their more material of the same session waiting to be released? Do you have new releases scheduled and if so will that be another 7”. In fact will Paint It Black ever do a full length again?
There’s no more material from this recording session, but we do plan on putting out more 7-inches in the future. I can’t reveal when or with who at this point. I would be happy to never release a full-length again, but I can’t predict what will happen in the future.

Is Paint It Black going to do a split-record in the future and if so which band would you all like to be on the other side.
I would love to do a split EP with Ceremony, but I think that they have a rule about not doing splits, so I can’t really say. I would do a split with Career Suicide if they were willing...

I have the feeling that the songs on ‘Surrender’ are your most experimental and hard ones yet. Do you see the band evolve more into that direction?
Paint It Black has always been a band that’s evolving in many directions at once. “Surrender” gets into some of the most furious music we’ve ever made. But remember, on the “Amnesia” EP the song that closed the record explores melodic territory that we’ve never explored before.

You went on tour in The Uk for a couple of weeks, why did you decide not to cross the sea and do a couple of shows in Europe as well? Do you have any idea when the band will be back on European soil.
We’re headed to the UK to play 12 shows. We’ve always wanted to do that, and we’ve been talking with Ceremony about it for months. Trying to get around Europe in the short periods of time that we’re available to tour can be really stressful, and we just wanted to focus on having fun with our friends and not dealing with crazy overnight drives. We’re grateful for the opportunities we’ve had to tour Europe, and for the hospitality we’ve received, but this time we’re just keeping it simple.


You guys did a tour with Propagandhi and are now going to do a tour with legends Naked Raygun is touring with such different bands a way for you guys to keep doing shows interesting and also your way to expose Paint It Black ‘fans’ to other bands that you think people should know about.

I know that punks aren’t supposed to have heroes, but I need to say it: both Naked Raygun and Propagandhi are heroes of ours and huge influences for us. Naked Raygun has always inluenced our music, and Propagandhi our politics.

We like to play with a wide variety of bands, instead of only playing with angry hardcore bands all the time. Paint It Black is an unusual band in that we never really fit in anywhere in any simple way, because we play hardcore punk that is both very belligerent and very melodic.

We can tour with Leatherface and Dead to Me one week, Ceremony and Sabretooth Zombie the next, but it all makes sense to us. I’m afraid it confuses people a lot of the time, but its the only way we’re comfortable being a band.

To answer the last part of your question: Naked Raygun is coming to our part of the country for the first time in 20 years! If we can expose people to this band that have never heard them before, that would be a privilege.

How hard is it to maintain both the band and keep your career/work going at the same time. And has there never been a time that you wanted to make Paint It Black a full time band. Or is doing the band the way you are doing it now one of the things that keeps you motivated and interested in doing the band.
Sometimes its really hard to balance the band with work, but the hardest thing to balance is band and family. It definitely takes a toll emotionally and physically. There are times when its really frustrating not to be able to spend more of the year touring, especially when we watch our friends doing it, but several of us have lived the constant touring life too when we were younger, and we’ve seen how much that changes your experience of making music, not always in a positive way. At this point, we’re grateful not to have to rely on our band to pay our rent.

Being around in the nineties, how do you look upon the whole revival of nineties hardcore, what was so good about those days that we seem to have lost right now. Or are things always better looking back and will one day someone also write about the heyday of hardcore 2009?
We’re not really interested in nostalgia. I’m not sure exactly what type of 90’s hardcore is being revived, but I’m afraid that it wouldn’t have anything to do with what we’re interested in.
If by “90’s hardcore” you mean Born Against, Rorschach, Heroin, Assfactor 4, Torches To Rome, or Deadguy than that might be really exciting. If by “90’s hardcore” you mean Outspoken and Chorus of Disapproval, than not so much. I would say that things are pretty good right now from a musical standpoint. The thing I miss the most about the 90’s is that people seemed to have more of a political sensibility.

Monday, April 06, 2009

Favourite Carry On records (according to Twitter)



Once again I used Twitter to come up with some sort of list of favourite Carry On records. Now this question was kind of hard on some people as not everyone seems to know exactly what Carry On has released.

1. A Life Less Plagued (2001, Bridge 9 Records) The most favourite record for a majority of people on Twitter. Also the record that put the band on the worldwide hardcore map. Though I love most of the songs on this one and admire the transition that Carry On made in their song and lyricwriting it's not my favourite record. I miss the positivism and youth crew sound of their earlier records.

2. Roll With The Punches (2000, Teamwork Records) Teamwork was known for putting out classics like Floorpunch and Atari. This Carry On record was another 'hit'. It's aggresive and straight edge. And easily one of the best 7" to come out after the youth crew revival. Cause the thing with Carry On is, they just missed that boat. Another thing about this record is the 'Fuck Your Politics' song and the flyer that came with it. At the time the hardcore scene was way more pc than now and Carry On made the daring stance to say they we're there for the fun, not for the debates. They were a bunch of guys who like hardcore, nothing more.

3. The Line Is Drawn (1999, Youngblood Records) My personal favourite. When I first heard it, I was blown away. To me Carry On were the new Insted. The same positive, Californian vibe. The artwork is awesome with all the live pics. I still regret selling the shirt that I ordered with the record.



A lot of people mentioned It's All Our Blood (2001) which is a collection of the Roll With The Punches and The Line Is Drawn 7" so I left those unaccounted for.

Not surprisingly no one mentioned the first Carry On record: Stabbed In The Face (1998) which is a very bad record from a band still finding it's sound.

Friday, February 13, 2009

Polar Bear Club - Sometimes Things Just Disappear


When Bridge 9 announced the addition of Polar Bear Club to their roster, I thought the label finally was going to cash in on the emo hype. Come on Polar Bear Club, what kind of bandname is that. Do you really think Youth Of Today or Minor Threat would have become huge if those bands were called Polar Bear Club? Then again Gorilla Biscuits might be in the same league.

Let's set the bandname aside and focus on the music. Well Polar Bear Club sure rock! They're no Fall Out Boy revisited but a gruffy sounding punkrock band in the best Hot Water Music tradition. Together with 'our' own The Tenement Kids these Americans make a new record by Gainesvilles' greatest completely superfluous.

Every punkrocker with a beard should check em out!

Myspace: Polar Bear Club
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