Showing posts with label manliftingbanner. Show all posts
Showing posts with label manliftingbanner. Show all posts

Monday, April 19, 2010

Spirit 84: roadtrip to the nineties

So Spirit 84. Eight years after their last show, four years after the last time I went to a show in Fryslan. Would it be worth the (by Dutch standarts) long drive from the southern part of the country up north?

After picking up Frankie Deny we had a smooth drive to Burgum. We arrived just in time to see some songs by Cornered. They're probably one of the most popular band of all newer Dutch bands. And I can see why since they work hard and play a tight set.

Most of all this show was a trip down memory lane. Seeing guys I hadn't seen for years, catching up with them and nagging about the current state of hardcore. (Something most of us did 8 years ago as well). It was nice talking to the guys of Spirit 84, Birds X Of A Feather. But there were some more bands to watch so I went back in the venue to check Rush N Attack. This was their release show, so it was too bad the new record wasn't out yet. It always gives me the idea of a birthday party without presents or the Catholic church without child molesting priests.


Birds X Of A Feather were up next and surprised me with their set. They were aggressive and really sped things up. Prior to the last song I got their mindset when singer Big announced out of the blue that this would be his last show.

After being involved in bands like ManLiftingBanner, Mainstrike, No Denial and now BOAF, Big thought it was time to quit doing this. 'It's time I start living the things that I preached in my songs for over a long time.' 'I got involved in hardcorepunk searching for an identity, searching for the truth. And I will continue that search.' Are some lines from his emotional and powerfull speech. After that the band started playing 'Caught in the hoax'. 


Anticipation grew. Local heroes Spirit 84 would set the night on fire. 'The Boys in Back in Town' was the intro for a set of old hits, singalongs, stage-dives, moshing and all the action one could ask in a hardcore show. The band played like they had never quit starting with 'Hold Dear' from their demo. It sure was worth the drive.





pics by Bas Wit.

Wednesday, April 08, 2009

Best European straight edge band

I have this poll running on Twitter but thought it would be nice of other people could speak their mind as well:

Tuesday, March 31, 2009

Propagandhi:Supporting Caste interview

To be honest I admire Propagandhi more for their lyrics and the way they do things, than for their music. Still when the opportunity did arise to interview them on their new album 'Supporting Caste' I didn't hesitate. Bassman Todd Kowalski was kind enough to answer my not that great questions.



Why leave Fat and decide upon Smallman? Was it time for something different? So far how do things work out on a ‘smaller’ label well at least from a European perspective?
Yeah, we wanted to do something different. We are friends with everyone at Smallman and they are from our hometown of Winnipeg so we thought it would be a good idea. In Europe the record is on Hassle and Hotel Van Cleef which is run, in part, by our Friend Marcus who we've known for years and years. He's a great guy! It all seems to be working out well. Why ship our records all the way across the world and have them sold as imports? Now they are domestic releases. Our friend in china might even be releasing the cd.

As punkrock veterans do you keep up with new bands and if so which new and old bands do you like and are an inspiration?
I always keep up with a lot of new bands. I really love a lot of metal bands like Cynic, Immolation, Necrophagist, and Krisiun, I like some new punk bands but don't listen to them too much at home simply because some metal bands are scorching the earth right now! I Love old bands like Born Against, Manliftingbanner, Sticks and Stones, MDC, Voivod, Razor, Crucifucks, man I could list a million of them! I'm still into it all 100%.

First you released the news you would stop with the G7 label, now the new record is partly released by it. What happened? Why did you come back on that decision?
We flow like the mighty river! We never know which way it will turn. We just figured it would be another good G7 release. Why not? Ha ha.

Can you tell me where the song Supporting Caste is about. And if it is about the Indian caste system do you really think a song by a Canadian band will change anything about that?
The song is not specifically about the caste system in India although it includes that as well. there are tonnes of unwritten caste systems in every country and between many types of people. The song is really about all the people who through history will never have their story told or acknowledged even though they did profound or powerful things, or perhaps suffered immensely for Kings, generals, saviors, etc.. to have their place of esteem and glory in the history books. the supporting caste is the majority of people working hard and keeping the world afloat.

How do you avoid simply sloganeering punk rock criticism and also do something about the topics you discuss in your songs?
We avoid sloganeering by playing and writing from the heart. We just say what's truly on our minds. We don't try to be part of some made up "revolution" or something. We're just writing songs about our day to day experiences and things that move us the same as someone writing love songs or something. Our music is fast and heavy, when I hear these sounds it does not move me to write love lyrics in the typical sense. It is truly an outlet for our frustrations in the world. I know every metal band has said that since the dawn of time, but it's true. it's hard to live in and accept a world that seems so at odd with what we believe to be fair and just.


You’ve toured the US with Paint It Black recently. How was it to share the stage with a band that everyone sees as the best thing in hardcore since a while. How did the tour came about and did you guys have late night discussion with Dr.Dan?
We live in Canada and don't read music magazines or blogs so I was unaware that they were thought of like that by the masses before we went on tour. I can see why they are so highly regarded. They are a great band and great guys. Dan has great and thoughtful lyrics and always has something to say. I was trying not to talk to much on tour to save my voice but I did talk to Dan and he's a very, very nice and good guy. the tour came about by someone suggesting some bands. We checked them out and liked Paint It Black and thought they'd be good to have along. It was a good choice. I have only good things to say about them.

What excatlty has Bill Stevenson done in the studio that made you sound better than on previous records?

I think a lot of people don't know that Jason Livermore at the Blasting Room is the guy who also does a lot of tracking and almost all the mixing so he should get a lot of the credit. They are very meticulous with the playing and tuning down there . they work very very hard to make sure everything is on the right track. We were in there for hours. Then they work very, very hard on the mixing process. Jason was seriously in there for hours and hours, and hours at a time with no breaks. I couldn't believe it. I've never seen someone work so hard on a record in my whole life. He deserves a shitload of credit for his efforts.

Thursday, February 12, 2009

The (International) Noise Conspiracy/ Refused


This interview was already published on Asice late last year. Since I did it and I kinda like how the whole thing turned out, I decided to republish it here. Refused were a big influence on me when I first started listening to hardcore so it was nice to talk with Dennis Lyxzen about his old and his current band.

So are you happy about the collapse of the economical system in the USA and worldwide. Because both Refused and The (I)NC always had an anti-capitalist stance? And aren’t you out of topics to sing about now that you were proven right?

Well, I’m not going to be all like ‘hey, I told you so’. And though the collapse proves me right, there’s nothing to be happy about. If anything it will make the situation worse for a whole lot of people who lose their jobs and their houses. I always thought the capitalist system would fail in the end because it’s not based on morals, it’s inhuman. Karl Marx already predicted it’s failing two hundred years ago. The worldwide crisis doesn’t solve anything I’m afraid. It will only set up a whole bunch of new problems. As a band we still have a lot of things to sings about I think.


What’s your opinion on Obama as the man who will save the USA and the world?

I think with Obama instead of curing the disease only a part of the disease is cured. I admit it’s interesting that a conservative nation chose a black person for president. And he’s more progressive than any of the presidents before him. But he’s still the president of The States. He’s not going to drastically organise social welfare. He’s not going to take power away from the big industries. Simply because he’s only one man.

The (I)NC has a lot of criticism on the United States. But who are you to judge another country? Wouldn’t it be better if you stick to problems in Sweden or is everything all right there?

Lately things in Sweden are very bad. The right wing is in control. As a band we have set up these sort of rock against… concerts in Sweden, so we’re active in our own country. We also walk in protests and stuff and when we play in Sweden I address local topics on stage. Yet as a band we try to reach as much people as possible. That is why we called the band the International Noise Conspiracy. During the year we spend our time all over the world. So the topics of our songs are international as well. It’s just easier for people anywhere to sing ‘Washington Bullets’ instead of ‘Bullets on Saab’ or ‘Bullets on Bofor’ the two biggest weapon industries in Sweden.

Refused had a clear straight edge and vegan message something that seems to be all gone in The (I)NC. Why?

Both Refused and The (I)NC are anarchist bands. But with Refused we were put in the vegan edge scene, that’s also where we started. We were way more political than a lot of those bands and the scene became narrow-minded over the years. We wanted to talk about other things besides veganism. That’s also one of the reasons why Refused broke up. We felt imprisoned in a way. With The (I)NC we’re not part of any scene. You see punk kids, hardcore kids, rock kids and political kids at our shows. That’s what we want. I’m still vegan though and as of lately I do address the meat industry once again. It keeps getting more clear that this industry is the biggest polluter of our planet. The biggest benefactor or global warming is the meat industry. But that’s not a topic many politicians want to touch.


Has Refused’s ‘The Shape Of Punk To Come’ become a burden for you as the record is seen as a milestone in hardcore whereas the records you’ve made with The (I)NC so far haven’t received that kind of recognition?



I still think it’s quite of ironic that the record we wrote as a big fuck off to the scene, is seen as a classic. But the record isn’t a burden. ‘The Shape Of Punk To Come’ made me see what I wanted next, which became The Noise Conspiracy. I also think that the records we make with The (I)NC are less easy to label therefore they won’t be seen as a milestone of any scene, because they don’t fit in a scene. When we started the Noise Conspiracy people tried to place us under garage rock, but we’re way too political for that. Now we’re just The Noise Conspiracy.

Have you never thought about spending the energy and time you now put in the band in a political career? You might achieve more doing that.

Oh no. Music got me into politics. Not the other way around. I could never be a politician. As a musician you can exaggerate on stage to set people in motion. As a politician you always have to make compromises. I’m not very good with that.

Some people say you’re full of words but lack on action.

Only idiots say things like that. In my opinion individuals all fight their political struggle in their own way. I choose to do it through the band. We play numerous of benefits every year. We support Swedish left wing groups. We are part of demonstrations and visit areas like Palestine to help out. However most of these things we do as individuals. We don’t brag about it, because it’s just what we want to do.

You said that music got you into politics. Which bands are responsible for that?

Before I learned about hardcore I found out about punk. Bands like The Clash and Dead Kennedys got me interested in left wing politics. But it wasn’t till I found out about Born Against and most importantly ManLiftingBanner that I really became more political myself. Especially ManLiftingBanner was a big influence to Refused, most people don’t seem to know that. But to hear of a European straight edge band with communist ideas, that was so inspiring to us. That really fuelled me and the other guys to do a band as well.
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