Showing posts with label Get The Most. Show all posts
Showing posts with label Get The Most. Show all posts

Thursday, October 21, 2010

Ceremony - October 13th - Eindhoven

Unfortunately I wasn't able to go to the This Is Europe fest. So when the opportunity came along to go and see Ceremony a few days later I jumped in the Reflections van and went for it.

The Dynamo youth centre is a great place for hardcore shows. But you never know how the Dutch audience will respond to a band. Will it be 'let's stand and see' or 'let's have fun together'?

Midnight Souls opened up the night. Despite my review and interview the Dutch haven't warmed up to this band so far. Which is a shame if you aks me. Besides the bad sound and a bit of an apathetic crowd reception Midnight Souls played a pretty solid set.

Next up were Sabretooth Zombie. By far the worst band I've seen this year, though other people seemed to think differently. The riffs and weird song structures just aren't my thing.

So Ceremony. I actually only like their latest record a lot and was a bit sceptical about tonight's perfomance. Which soon dissapeared after the band pressed go and went for a highly energetic, entertaining set. A lot of younger kids went wild on the band. Massive pile-ons, weird stagedives and even weirder dances were introduced this night. All around mayhem. With suprisingly Get The Most/ Devotion drummer Aaron behind the Ceremony drumkit.

A nice way to spend a wednesday evening.







All pics are by Anne Kohler. See more here.

Up next: Bane this saturday in Gent and The Real Danger, The Fake Boys and Dave Smalley in Tilburg this sunday! Good times!

Friday, July 02, 2010

Right Idea interview part 1 of 2


Ever since hearing the 'Our World' record on React! I'm sold on Right Idea. They're one of the few existing bands playing the kind of youth crew hardcore which initially hooked me into the scene. Besides playing the right style they also have the, in my eyes, right idea how humankind should go about with the world and fellow humans.

Right Idea isn't a band that gets much exposure on the internet and in zines. They're also not a real tourmonster playing everywhere and Europe every three weeks. That's why I'm so excited to see them play in my hometown on July 30th. Drummer Nathe Hough-Snee and frontman Jeff Hess took the time to answer some of my questions. Here is part 1: The right ideas of Nate Hough-Snee.

Soon you will embark on your first European tour. What are your expectations? What do you look forward to? Have you or other guys in the band already toured Europe before? What tips did other guys gave you who already toured Europe?

We're absolutely elated! Geoff and I have been doing bands since we were teenagers and as we practiced last week, we were saying, "this is the stuff you dream of when you're a kid!" Cleveland is a great city, but it isn't known for it's well-travelled residents, so growing up, I was never expected to be going around in bands or for adventures. To travel the US at 18 was exciting and too go to Europe a few years later is just awesome. I'm looking forward to the people, including our friend Robert Refuse, and all the kids and bands who have supported us from across the pond. I am also stoked to take European trains, since I love the US's Amtrak, which is hardly modern train travel.

John has been to Europe with Good Clean Fun a few times, but he won't be with us this trip as he is expecting a new addition to his wonderful family. We're all totally new at this. I'm going largely on the advice of my friends Ole and Beej from Get the Most and On. Those dudes jet set about like nobody's business, so I trust their judgement in all things core related. Be sure to pick up their bands' new records on React! Records and see them when they come back to Europe.




You're releasing a new 7" and a discography both on Refuse. Why did you choose to work with that label again?
Most bands who release a discography are on the verge of breaking up, is that also the case with Right Idea?


Ever since my first band, Names for Graves, Robert has been a supportive friend and label guy. It was a no-brainer to go with Refuse because Robert does a label with bands that he likes and bands with smart, articulate members. Look at Anchor, New Winds or Blank Stare, just quality releases, from quality people and bands.

As for the discography, that was largely to put our material onto a digital release for kids in countries where vinyl may be prohibitively expensive. We did our releases all on vinyl, except for the limited demo tape, so we just wanted to make sure that people new to our band could catch up in one release. It also provides a means to drop all of our extra studio tracks from the last few years, including bonus tracks and covers.

As for breaking up soon, I think Right Idea has a few more songs and shows left in us, but none of us have the intention of overstaying our welcome or playing longer than we should. We have always been a part-time band, so it isn't like we're going to burn out or anything like that. We're simply going to go out before people are saying, "Man, they're still a band!?" that's for sure.

Lots of bands nowadays are very around online with myspace, facebook, twitter etc. So far the only thing I can find from you guys is the blogspotpage. Are you just lazy, don't you care about the use of internet to promote the band?

It's a two part system: one, we don't use myspace or facebook very much as individuals. They're huge corporate entities, and we're not trying to sell people advertising so they can hear our songs. Two, we wanted to be a band that was about our songs and substance, not hype. The people who want to find our records have to look for us, because we're not marketing for a big label or for sales. Up until the forthcoming discography cd, we were vinyl only on purpose. We love hanging out and playing music together, not trying to market ourselves. Maybe that makes us lazy, but I think it's a part of what Right Idea is, no hype, no bullshit, just fast, fun, straight edge hardcore.

I know Jeff Hess had Mainstrike over when they toured Europe. So what is your experience with eurobands. Which bands from here do you like, have you seen?


I really like I Adapt from Iceland (RIP), Victims and Wolfbrigade. Recently, I've been into Balance, Pair of Dunks, Anchor, True Colors and Common Cause, although I've only seen the last three and Victims and Wolfbrigade. As a kid, I loved Millencollin, Refused, the Business and the Buzzcocks and anything I could get on tape at the local skatepark. Fortunately, I have seen all of those big bands as they've toured the states more extensively.

Right Idea plays straightforward oldstyled hardcore, does that also mean you'll only listen to old bands in the tourvan? What will be your toursoundtrack?

Like most bands, we listen to lots of different stuff. I may bum the guys out with Ming and Ping, Lucero and the Jealous Sound, but I'll redeem myself with my favorites, like YOT, Judge and Chain. I have been jamming the newest Strike Anywhere for a long time now, plus personal favorites like Good Riddance, Iron Age, Gordon Solie Motherfuckers, Black Breath and Criminal Damage, so I'm sure it will be a diverse Ipod playlist as long as I get to have a say. Chuck will no doubt play us some Akon and Lady Gaga among his radio rap lists, while Hess will get us through the Youngblood catalog and then throw it back to new York.

Straight Edge is it a foundation, a way of life, something that comes natural?

Straight edge is what I've known my entire adult life. Not drinking comes as easily as breathing at this point, and I don't see it going away anytime soon. I know a lot of people can't socialize unless they have a drink, but I've never had that problem, so I go on edge. Some folks lean on different things to get through hard times, and I'm fortunate to have other things to lean on, like my friends, family and my passion, ecological restoration. From an ecological standpoint, I think that producing commodities like tobacco, alcohol and cash crops like opium and cocaine is wasteful. Why use resources to produce and distribute things that are unnecessary and that have vast detrimental potential? It doesn't improve anything, it just increases the disparity between social and economic winners and losers in global capitalism.

Friday, December 18, 2009

Devotion - Bastard Son Of Affluence Blues -cd/lp




Devotion is the new project of Go It Alone vocalist Mark Palm. With the help of Get The Most and ON drummer Aaron O'Neil Palm recorded 10 songs which are released on vinyl by Rivalry.

Recordopeners 'My Desert' and 'Iron Fist' don't stray too far away from the Go It Alone sound and could easily have been on the bands' last album 'Histories'.

But Palm did Devotion solo for a reason, it's his outlet and without bandmates he didn't have to compromise. The song 'Bastard Son Of Affluence Blues' is the first showing of that vision beginning with a hardrock orientated intro before evolving in a hardcore song.

Throughout the record there are hints here and there of different styles being incorporated in Palms' trademark sound of slow melodic hardcore.

It's on the B-side of the record that Palm tends to stretch this even further. 'Needle Full Of Liquid Pain' and 'Out Of Body' being songs that remind of 'Dirt'-era Alice In Chains with some early Soundgarden references.

'Stained Glass Bottle', the last track, brings it all together and sounds like a very natural combination of hardcore, grunge and even southern rock.

Go It Alone already showed Palms' gift for writing lyrics and with Devotion he stepped up to the plate. The main themes of the record are Catholicism, isolation, apathy and addiction all served on a very cynical and realistic plate. Palm himself summarizes it best with the lines 'The cross and the bottle offer no escape for me. Left to wonder: will I ever find peace? I haven't found it yet.'

Devotion isn't the only band nowadays with roots in hardcore incorporating grunge (Blacklisted anyone?). Yet on 'Bastard Son Of Affluence Blues' it is done in a very natural way which makes this one of the most progressive records staying within hardcore bounderies and one of the best records to come out this year.
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