Showing posts with label comeback kid. Show all posts
Showing posts with label comeback kid. Show all posts

Friday, February 04, 2011

Fire At Will - Hoping For The Best... Expecting The Worst cd


After the more than good Together ep from I For Us Records, the label dropped another release in my mailbox. Looking at the artwork I expected one of those modern deathcore bands. You know the ones with flashy shirts, black hair and too small pants?

When reading that Fire At Will is from France my expectations for another solid release were even smaller. I still have to discover the first real good hardcore band from France.

Well in the end the first part of the title of this record is fortunately more true than the second part. Fire At Will aren't a terrible deathcore band with French accents. They're a modern Comeback Kid-esque band with some punk influences.. and French accents.

Fire At Will isn't a bad band, but the songs aren't above average either. Plus I got pretty tired of the whole production of the record. It sounds too clean and polished for my taste.

Friday, September 17, 2010

Comeback Kid: Talking about symptoms and cures

To be honest I'm not the biggest Comeback Kid supporter around. Though 'Turn It Around' and 'Wake The Dead' had some good songs, I never particularly lost my mind on them. It may come as no surprise nothing has changed after the release of 'Broadcasting' and the recent 'Symptoms and Cures'. I did this interview for Upmagazine and think it's interesting enough to post here as well. If anything you got to admire to workethic of these Canadians and the fact they're getting a new generation interested in hardcore. Vocalist Andrew Neufeld gives the answers.



Just before Broadcasting, Scott left the band, so you were rather new as the singer for CBK upon entering the studio. Was there less tension on him recording Symptoms and Cures as this time there was more time to prepare?

There was more time to prepare yes. But there wasn't really any tension going into the studio with Broadcasting. On Symptoms + Cures it was just the fact that I'd been singing in the band ( as opposed to playing guitar ) much longer so I had more control of my voice and was more confident to sing on record how I do live. So that's what I did!

I remember you saying that the soundtrack for Lost was a big inspiration when writing Broadcasting. What was the biggest inspiration for the new record and why?
I wouldn't be able to pin point one big inspiration for the new record other than the transient lifestyle we live. It affects every part of my life personally and music wise. Most of the songs talk about that and how it makes me feel living this kind of lifestyle. Lost is over and I was sooo dissapointed with the ending! It was all a dream and they were dead? I mean, what the fuck?

Some people who’ve heard the new songs say Comeback Kid is very angry. The new songs sound harder and more straightforward. Are you more angry now then in the past or has it something to do with the way the new record was recorded.

I'm not angry at all. We are all very chilled out dudes. My vocals naturally are a lot more aggressive so maybe that sounds angry but it's a misconception. The songs deal with struggles in my life at times, but on the other hand we feel like the album has a lighter vibe and is more of a fun record than our latter. We wrote songs intentionally for the plastic cups to be held up high with beer spilling over and for people to have fun with and sing along. We really don't take ourselves TOO seriously.

The past few years you have created quite a backcatalog with songs. How do you pick which songs to play on stage. As fans want to hear old stuff and you probably want to play new songs. And does this decision making gets harder with every new record you write?

Sometimes we don't play songs that I personally would like to play live. Making a setlist is a combination of playing something from every record. There are certain songs that we would never do set without. Like All in a year ( first song we wrote as a band ), False Idols Fall, Wake The Dead, Broadcasting, and there are a few more. The other part of it is playing songs that we feel get the best reaction and excited the audience the most, which in turn makes us psyched. The last part is playing songs that are fun for us to play live. So we just mix it up based on how much time is available. to us.

Some people say you should have changed the name of the band one Scott left, in fact this still comes up in some reviews of the new record. Did you ever thought of doing so?

Hell no, we are Comeback Kid through and through. We have 3 original members that were the same 3 guys at the first few practices. The 3 of us wrote all the songs and Scott and I wrote all the lyrics together before he left. We have built on the foundation we created for the last 10 years and will continue to do so. Fuck the haters.

Different from the previous two records you didn’t record in the Blasting Room this time. Did you want a change of scenery and did it help the band to grow further?

Yeah we just wanted to switch it up recording wise and see how we worked with different producers in a different studio. This time we did it in Canada with awesome dudes Eric Ratz and Kenny Luong. We went for a more raw sound with everything sounding really natural but big. The tracks sound like they are tearing through the speakers more on this album I think.

What’s the meaning behind the artwork for the new record and it’s title?

The artwork is a guy jumping headfirst into the unknown. Maybe looking for answers or a "cure". The title comes from a lyric in a song that pays homage to the few people who make sacrifices in their life to really make a difference or follow their passion to put a dent in the earth. The title comes from this lyric... "Can we breathe out new life in the air? Send out a wave. Use this as ammunition against the vultures that prey on the public's addiction. They're creating symptoms + cures."

Isn’t it hard getting older but still having to write songs people in their teens can relate to, or is that not something you think about when writing a record?

If we were writing music for the teens of 2010 we would sound more like Brokencyde or something like that. We write hardcore/ punk rock songs the only way we know how to. We write songs for ourselves and hopefully people can relate to them no matter what age they are. I write lyrics and they are reminder's to me after the fact. We are musicians first and foremost so we don't ever rely on the current trends to find our place in this music scene. Hopefully we can stand out.

Monday, November 17, 2008

Comeback Kid - Through The Noise cd/dvd


Let me start by saying I'm not a big fan of liverecords from hardcorebands. Usually it ends up as a collection of the biggest hits played at one of two shows. Usually the sound of the record is really live, making it impossible to really hear the singer and most guitar parts or the whole thing is mixed and you have a greatest hits record with some sample from audience mixed in.

Secondly I don't like live dvd's either. Being at the show yourself is so much better. The only exception are dvd's of very special shows in a bands' career like their final show.

That said Victory brings a livecd and dvd from the only hardcore band currently on their label: Comeback Kid. I can be very short about the cd, the hits are there, Andrew Neumann isn't a very great singer, the band plays very heavy and tight and the whole thing quickly gets dull.

The dvd features the same show as the cd, a concert in Leipzig Germany, as well as a documentary on Comeback Kid and some videos. The concert is boring as hell. Why shoot this footage at one of many shows on a European tour? Why not a concert from Canada where the feeling is more special?

The documentary is the highlight of this release. It's the history of Comeback Kid from start till now and gives insight in the first months of the band, interviews with original vocalist Scott Wade and longtime bassman Kevin Call, footage from the studio and shows all over the world as well as interviews with the people who are in Comeback Kid right now.

After seeing this you've learned that Comeback Kid never practice, that it can be cold in Canada, that the band has to stay backstage for half an hour after playing in Indonesia because they will get killed by the ecstatic crowd, that Scott Wade was the voice of Comeback Kid and it's hard to replace him, that the band has a great workethic and that Wake The Dead was the best song they will ever write.

Bottom line: get this only if you're into Comeback Kid.
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